Meet siblings who fell 25 feet in deck collapse, lived to warn other homeowners | Floor Deck Macking Machine

"Masters Classic Gala Concert ????????——?????????" is an evening celebration of vocal and instrumental master works from the classical, romantic and folk genres, featuring distinguished artists and rising talents from the United States, Europe and China. The event is presented in collaboration by Yung’s Education Group (China), New York International Cultural Exchange, Inc. and China America Friendship Association. ARTISTS Kathleen Winkler, Violin; Philippe Muller, Cello; Ming Fong, Piano Haiyin Bie, Tenor Min Chen, Soprano Ziwen Xiang,Tenor Coco Wang, Soprano Bin Shang, Bass Other vocal and instrumental performers to be announced. PROGRAM KREISLER – "March miniature viennoise" DVORAK-KREISLER – Slavonic Fantasie in B minor DEBUSSY – Cello Sonata SCHUBERT – Piano Trio in B-Flat major, D.898 (Op.99), Allegro moderato CHINESE FOLK MUSIC – (arr. for piano solo) "Autumn moon over a tranquil lake????"; "One hundred birds worshipping the phoenix????" PUCCINI – "Recondita armonia", from "Tosca"; "Nessun dorma", from "Turandot" ZHU QING – "Eastward flows the Yangtze River????" VERDI – "Libiam ne lieti calici", Duet from "La Traviata" … (read more)

Collectors and music fans wearing the T-shirts of obscure rock bands brave the tropical heat outside a record store near Malaysia’s capital, waiting to get their hands on new cassette tapes. Video provided by AFP Newslook

“We won as we liked.” Pike refused to ride the horse when he went to the US to his untimely death. 

Leslie Goshko (Huffington Post Comedy) is the host and creator of the monthly storytelling series, Sideshow Goshko, which has been hailed as a Time Out New York and New York Times "Critics’ Pick", and also noted as "a well-programmed night" by the New York Times.Sideshow Goshkohas been featured on TruTV’sImpractical Jokers, NPR’sSnap Judgment, and inThe New Yorker. Her cabaret show "An Old-Fashioned Piano Party with Leslie Goshko" is heralded as a Time Out New York "Critic’s Pick" and she served as the musical director for NY1 anchors Pat Kiernan and Jamie Stelter’s live show at 92Y, "Pat and Jamie’s NY." And thanks to the support of many Internet voters, she performed with the cast of Hairspray on Broadway.

The entire process — tape-making, cassette assembly, recording, labeling and shipping — happens under National Audio Company’s roof.

all natural, organic, ecological, free range, dolphin free, sugarless. — These, too, are not defined in THE BIG BOOK OF BUZZWORDS. The ANTI’s do not invite scrutiny or discussion.

And a Rohingya woman takes her infant son, the product of a rape by six Myanmar soldiers, from her 8-year-old daughter as the girl looks away — a family arrayed like the figures of a Renaissance painting, in Bangladesh, in the terror of the 21st century.

Starter problems, he knew. It had happened before. Something electrical that required a little short circuiting wizardry. He raised the hood. Sam lay under the tractor waiting in the shade for his command to “Load up!”

"Is that why you got into biology?" Dee pulled Zephyr tighter against her leg. "To make cute things?"

“You see shops with folding machines sitting next to press brakes, which are sitting next to panel benders,” Prokop said. “Every machine has its place.”

For more than two decades, Lettuce have brought a new vitality to classic funk, matching their smooth and soulful grooves with a hip-hop-inspired urgency and mastery of beat. Now, on their fourth studio album Crush, drummer Adam Deitch, guitarists Adam Smirnoff and Eric Krasno, bassist Erick "Jesus" Coomes, keyboardist Neal Evans, saxophonist Ryan Zoidis, and trumpet player Eric Bloom deepen that sound by channeling the sonic freedom and infectious energy of their incendiary live show. Produced by Lettuce and Co- Produced, recorded/mixed by Joel Hamilton at Brooklyn’s Studio G, Crush first came to life on the road, with the band developing new material and testing it out live as they toured. "We’ve all noticed that our music goes into a lot of different directions onstage, and we wanted to capture that in a way that we never really have before," says Coomes, who names classic psychedelia and ’90s hip-hop among Lettuce’s key inspirations on Crush. "It’s definitely more wide-open in terms style, but it still stays true to the funk." The follow-up to 2012′s Fly, Crush finds Lettuce brilliantly infusing their psychedelic and hip-hop sensibilities into bass-heavy funk. With its sp… (read more)

But despite his frequent Boone and Crockett screw ups, Eddie had a way about him that reminded the visiting hunter that they were in the presence of a primitive force.